

Photographic sketchbook
This chimney is, I think, in the square bound by Carrer de Bilbao, Carrer de Llull, Carrer del Joncar and Carrer de Marià Aguiló. Chimneys such as these are often the only relics preserved of the old factory complexes of Poblenou now destroyed. Although standing tall, scattered as they are and surrounded by the growths of the new building, they are discovered upon turning corners, not sighted on the skyline. This one bears a protective encasement as all around is razed to foundation level.

Taulat was a wetland area - marked by such street names as C del Joncar [reed bed] and C de la Llacuna [lagoon] - part of the old village Sant Martí de Provençals lying closest to the sea. Here untreated fabric was set out to bleach by exposure to the elements before being sent to the local textile mills and subsequently dyed or printed. 
Rounding another corner I discovered the arbour of Plaça de Prim (1851), an enclosure of ombú trees (Phytolacca dioica), drinking-fountain, and benches alternating with purple-leaved ? trees marking a perimeter subordinate to that formed by the shuttered facades.
There are many such juxtapositions of the old and the new in the 22@ area of Barcelona, reminiscent of the Changing New York recorded in Berenice Abbott's 1935-1938 Works Progress Administration/Federal Art Project documenting the rapidly changing built environment of that city, with such images as Construction old and new, from Washington Street #37, Manhattan (August 12, 1936).
These pale walls of apartment houses on Passeig del Taulat, one side of a square surrounding the tall cylindrical tower of variegated brick reds of the Torre d'Aigües de Macosa (Can Girona) (1880-82) designed by Pere Falqués i Urpí, who is also responsible for the Universal Exhibition lampposts (1888) and other modernista street lamps such as the one with trencadí-encrusted base on Passeig de Gràcia (1906). Pere Falqués i Urpí (1850-1916) was municipal architect of Barcelona 1889-1914, a position he got in competition with Domènech i Montaner, and during this period he made more than lampposts and chimneys.

I visited Cementiri de l'Est, or Cementiri Vell [Old Cemetery], on the blustery, showery afternoon of 18 October.


I encountered many cats, pigeons perching on ledges and statues, seagulls drifting over from the sea nearby. A flock of starlings (?) occasionally took flight between a bare-branched tree overhanging the north-east wall and a large evergreen tree close to the monument commemorating the victims of the 1821 yellow fever epidemic.
